He laughed about his trademark “feistiness” in the book to CBS News and said, “Well, I just try to bring truth.” In addition to his writings, Wolfe was also known for his foppish style and signature white suit, though in older age he swapped out tall collars for polo shirts

Tom Wolfe, a journalist and novelist known for books like “The Electric Kool-Aid Acid Test,” died on Monday in a Manhattan hospital while battling an infection, his agency Janklow & Nesbit Associates confirmed to CBS News. He was 88.

\uc5ec\ub7ec\ubd84\uc758 \ubc97, \ub358\ud0a8\ucf54\ub11b\uc785\ub2c8\ub2e4. :: \u0026#39;\uac8c\uc784\/SKYRIM\u0026#39; \uce74\ud14c\uace0\ub9ac\uc758 \uae00 \ubaa9\ub85dWolfe had been living in New York since 1962, when he started reporting for the New York Herald Tribune. The writer pioneered New Journalism, a 1960s and 1970s literary movement characterized by colorful longform pieces written in a subjective voice. Wolfe was associated with other New Journalism writers like Hunter S. Thompson, Joan Didion and Truman Capote.

The prolific author 부산출장안마 was known for both his fiction and nonfiction works. He rose to fame for his essays and bold arguments coupled with exhaustive reporting, peaking with the book “The Right Stuff” in 1979, which focused on the first American astronauts and the Mercury space program. The book was later adapted into a film with Sam Shepard, Dennis Quaid and Ed Harris in 1983.

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Later, Wolfe published his first novel, “The Bonfire of the Vanities,” in 1987, which was adapted into a film by Brian De Palma in 1990. He told CBS News that when he was starting out in his career, he was interested in fiction, but quickly found himself captivated by nonfiction.

“I started working on newspapers as soon as I left school — graduate school, actually. … I assumed when I first started working for newspapers, ‘Well, I’ll be a novelist one day.’ But I lost total interest in being a novelist, because this nonfiction was so exciting,” Wolfe recalled.

Wolfe covered a range of topics in his prose, from Ken Kesey and the Beat Generation in the 1968 nonfiction book “The Electric Kool-Aid Acid Test” to Cuban immigrants in Miami in 2012 novel “Back to Blood.” His last published book was 2016’s “The Kingdom of Speech,” which challenged society’s understanding of Darwinism.

In it, he argued that speech, not evolution, is responsible for humanity’s highest achievements. Wolfe slammed both Charles Darwin and linguist Noam Chomsky in the book. He laughed about his trademark “feistiness” in the book to CBS News and said, “Well, I just try to bring truth.”

In addition to his writings, Wolfe was also known for his foppish style and signature white suit, though in older age he swapped out tall collars for polo shirts.

In 2016, Wolfe told CBS News that he had five more books planned.

“To be honest, I have only five more planned. And one … coming up is on political correctness, which I think is the funniest subject in a long– in a long, long time,” Wolfe said.

This post has been corrected to reflect that Wolfe was 88 when he died, not 87. 

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The movie, which is set in Scotland, centers around Merida, who defies her mother’s wish to get married, and through her actions, accidentally causes chaos in the kingdom. The film, directed by Mark Andrews, has scored a high 70 percent “Fresh” rating from critics on Rottentomatoes.com. Here’s what some of them had to say: “Youngsters with a taste for adventure will no doubt overlook the movie’s workmanlike outlines and applaud its spirited, self-reliant heroine, who proves to be as appealingly unruly as her tumble of Titian curls,” explains Ann Hornaday, Washington Post. “The Pixar name used to mean something. And it never quite meant pleasantly safe, safely forgettable movies like this,” writes Stephen Whitty of the Newark Star-Ledger. “It’s a lively, psychologically astute tale filled with humanity, wit and charming performances,” writes Claudia Puig of USA Today. “This Celtic-themed story hews so closely to classic fairy-tale tropes, it’s the studio’s most Disney-fied production yet,” notes Sara Stewart, New York Post. “‘Brave’ isn’t a bull’s-eye, but it’s close enough,” writes Tom Long of the Detroit News. “Leave the kindergarteners at home, and take your tween daughter to this one, if she is willing to be seen in public with you,” explains Willie Waffle of wafflemovies.com. “Brave” is easy to like but hard to love, a feel-good fable with the latest bells and whistles,” Joe Williams of the St. Louis Post-Dispatch writes. Let us know: Will you go and see “Brave” this weekend?
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