The report painted a largely positive picture of progress in strengthening the Afghan army and police, but it offered cautionary assessments of the economic and political elements of its strategy for stabilizing the country

WASHINGTON Afghanistan’s military is growing stronger but will require “substantial” additional training and foreign financial aid after the American and NATO combat mission ends next year, the Pentagon told Congress on Tuesday.

The Pentagon’s assertion comes amid debate about the White House’s reluctance to announce how many – if any – U.S. forces should remain in Afghanistan beyond 2014 to help Afghan forces hold off the Taliban.

Leaving no residual U.S. troop presence in Afghanistan after a planned 2014 withdrawal is “one option,” White House press secretary Jay Carney said earlier this month. He said the U.S. is still negotiating the matter with the Afghan government.

In its twice-a-year report to Congress, the Pentagon said Tuesday that it will be difficult to judge whether Afghanistan can keep the upper hand against the Taliban until the exact size of a post-2014 U.S. military presence is determined.

The report painted a largely positive picture of progress in strengthening the Afghan army and police, but it offered cautionary assessments of the economic and political elements of its strategy for stabilizing the country.

“Effective government, the rule of law and sustainable economic development are all necessary for long-term stability in Afghanistan, but multiple factors continue to hinder them, including widespread corruption,” it said.

The report said that the amount of Afghan territory held by the insurgents has continued to shrink. It called the Taliban “less capable, less popular and less of an existential threat” to the Kabul government of President Hamid Karzai.

On the other hand it said the insurgents still wield influence in several key rural areas that serve as avenues to attack urban areas, including districts surrounding Kabul.

“Insurgents also used violence and assassination to undermine perceptions of the Afghan government’s ability to provide security,” the report said, “including intimidation of tribal elders, local power brokers and Afghan government officials.”

Last month, a government watchdog warnedthe Pentagon is spending more than three-quarters of a billion dollars to buy Russian-made helicopters and other aircraft for an Afghan aviation unit that lacks the troops and expertise to operate and 카지노사이트 maintain the equipment.

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Whether it was a world-renowned beauty like Cindy Crawford . . . “What I always say is the way Herb photographed you is the way that you wished you looked when you got up in the morning,” Crawford said . . . . . . or singer-songwriter k.d. lang . . . “I think Herb had a way of understanding how to exude the beauty within,” lang said. “I really do. He knew the balance of the soul and the body, and where the beauty was.” “I presume there got to be a point where people really wanted him to take their picture?” asked Braver. “Oh, absolutely,” said Charles Churchward, a former design director at Conde Nast. “You know, everybody wanted him to take their picture!” Ritts’ friend Churchward thought it was time for a book that celebrated the man as well as the work. “I think people want to know more about who’s behind the camera and something about them,” Churchward said. “And I think that’s what makes them last. And that’s why I wrote the book.” Churchward said that Ritts, who grew up in L.A., introduced a new kind of glamour photography. “Herb had been raised with light, with the beaches, with the sun,” he said. “Everybody before that was in the studio shooting and controlling everything. Suddenly he was able to take the same things outside and make people more natural and yet still have that glamour.” Ritts’ photo of his pal Richard Gere – snapped while the two of them were waiting for a tire to be changed – helped launch both their careers in 1978. Ritts once told CBS News, “Three months later, Vogue, Esquire, Mademoiselle had run all the images from the gas station that I’d taken, which was kind of interesting. And I got paid for it.” Soon, he was getting photographing everyone, from Tom Cruise to Julia Roberts . . . hanging out at Vanity Fair’s Oscar party . . . and hosting his own celebrity-studded birthday bashes. In fact Cindy Crawford and Richard Gere (who were married for 4 years) met at one of Herb’s parties. She said Ritts was just fun to be around: “I mean, he was a mensch,” Crawford said. “I don’t know if you know that word. But he’s just a good guy. He was a total sweetheart. He loved people.” She still remembers the shoot for one of his most famous pictures . . . a bevy of supermodels. “The girls, we were jokingly [calling] it ‘Naked Twister,'” Crawford said. “And I think Herb knew all of us individually, and was friendly with all of us, and that there was a comraderie.” Another Ritts pal talked him into branching out. “Madonna suggested to Herb that he photograph one of her videos,” said Churchward, “and he never did anything like that. But he was game to try anything.” They made her “Cherish” video, and he shot “In the Closet” for Michael Jackson. But it’s his photographs that will be remembered most . . . on display recently at L.A.’s Fahey/Klein Gallery, where an overflow crowd gathered to remember their old friend, and his world.
closed. A statement issued Friday didn’t cite a reason for resuming
Secretary-General Ban Ki-moon

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