Navy ships are capable of a variety of military action, including launching Tomahawk cruise missiles, as they did against Libya in 2011 as part of an international action that led to the overthrow of the Libyan government

ABOARD A MILITARY AIRCRAFT OVER THE PACIFIC The Pentagon is moving naval forces closer to Syria in preparation for a possible decision by President Barack Obama to order military strikes, Defense Secretary Chuck Hagel suggested on Friday.

Hagel declined to describe any specific movements of U.S. forces. He said Obama asked that the Pentagon to prepare military options for Syria and that some of those options “requires positioning our forces.”

U.S. Navy ships are capable of a variety of military action, including launching Tomahawk cruise missiles, as they did against Libya in 2011 as part of an international action that led to the overthrow of the Libyan government.

“The Defense Department has a responsibility to provide the president with options for contingencies, and that requires positioning our forces, positioning our assets, to be able to carry out different options — whatever options the president might choose,” Hagel said.

He said the U.S. is coordinating with the international community to determine “what exactly did happen” in the reported use by the Syrian government of chemical weapons against civilians earlier this week.

“We’re still assessing that,” he said.

Hagel said a determination on the chemical attack should be made swiftly because “there may be another attack coming,” although he added that “we don’t know” whether that will happen.

Hagel said that although he is scheduled to spend the next week traveling in Southeast Asia, he will remain in contact with the White House about developments in Syria and planning for potential U.S. action.

As CBS News correspondent David Martin reported, Joint Chiefs Chairman Gen. Martin Dempsey is expected to present options for a strike at a White House meeting on Saturday. Potential targets include command bunkers and launchers used to fire chemical weapons. However, officials stress President Obama, 부산출장안마 who until now has steadfastly resisted calls for military intervention, has not made a decision.

U.S. intelligence detected activity at known Syrian chemical weapons sites in the days before the attack. At the time that did not appear out of the ordinary. But now it is part of the circumstantial evidence pointing toward an attack.

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But where they’re playing is what’s unexpected: the Smithsonian American Art Museum. “You could say video games are a great grassroots expression of culture and in some cases art in our democracy,” said museum director Betsy Broun. “I guess what surprised me was just the sort of joyful excitement in the games.” Broun said the video game exhibit – the first ever at a major American museum – has caused so much excitement it will travel to 10 other cities, illustrating a growing understanding of the public fascination with games. “One time a single game was offered for sale and sold six million copies in one day; you know. that’s more people than go to the Met in a year,” Broun said. “So when you begin to understand how pervasive it is, I guess the bigger question is, why did we wait so long?” Indeed, when you look at some of the images from games, they can resemble moving paintings, from abstract to figurative to landscapes. There’s one reminiscent of Japanese woodcuts, and another that’s been compared to an M.C. Escher work. But fans say it’s not just how video games look that makes them works of art; it’s also how they engage the imagination and stimulate players to think about what moves to make. “Because they can help us find connections with deeper questions that we may have inside of ourselves,” said long-time game developer Chris Melissinos, who curated the show. “You’re presented with a series of obstacles, and so it’s how you quickly make those choices that discern the best outcome for anybody playing.” The exhibit begins with 1970s and ’80s action adventure games like Pitfall, Combat, Space Invaders. And surely you remember Pac-Man from 1981, in which a yellow dot tries to evade or be eaten by ghosts. It was an international sensation. “I’m a fan of this game,” said museum-goer Rita, “but I’ll tell you something: When I was playing it I never thought that I was engaged in art!” But Melissinos says the artistry was in Pac-Man’s becoming one of the first games to appeal to women, who now represent 40 percent of gamers. Released just a few years later, in 1985, Super Mario Brothers introduced a much more complex world, and a video hero, as players manipulated Mario to find and rescue a princess. “There were many studies that showed that he was more popular as a character in the minds of young Americans than even Santa Claus,” said Melissinos. The Super Mario series evolved over the years, with more complex graphics and scenarios. And because technology is such an important factor in games, the exhibit showcases some of the playing devices used during four decades. But along with better technology comes better ways to do battle, which has sometimes led to controversy. When asked about criticism of violence in video games, museum director Betsy Broun replied, “Art reflects life. I think we live in a world where not including some of that would be unrealistic. But I really think you’ll find in the games that there is oftentimes a deeper message.” In fact, games like 2010’s Heavy Rain,” which explores the boundaries of parental love, do aim to touch our emotions. And if there’s one thing this exhibit illustrates, it’s that for video game creators the journey is just beginning: “We’re able to create worlds and environments that just don’t exist in the real world,” said Melissinos. “So we’re able to open our imagination, and it’s boundless, it’s limitless. And that is definitely part of the attraction.” For more info:
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